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John McDermott has been photographing Southeast Asia since the early 1990s.
From 1993 to 1997, McDermott was the Chief Photographer for Manager, a
Bangkok-based English-language monthly magazine that covered business,
culture and lifestyle throughout the region. During his travels, McDermott
developed a strong personal interest in the many cultural heritage sites and
ancient historical ruins spread across the continent.
Thus began his long-term fine art photography project documenting UNESCO
World Heritage Sites and other historical places in various parts of the world,
beginning with the countries of Southeast Asia. He has since photographed the
ancient capitals of Ayutthaya and Sukhothai in Thailand and Luang Prabang in
Laos; the temple-strewn plains of Bagan in Myanmar (Burma); the monuments of
Hue and the historical colonial fishing port of Hoi An in Vietnam; the Great
Wall of China; and the stone temple ruins of Angkor in Cambodia. Most recently
McDermott has focused on Angkor to create an in-depth study of the complex in
its period of rapid transition. His work has been exhibited internationally, and
he is currently represented by Flatfile Photography Gallery in Chicago.
McDermott’s work has been published in magazines and newspapers
internationally, including The New York Times, The International Herald
Tribune, Time, Newsweek, Stern, and the South China Morning Post. His
photographs of Angkor were published in The New York Times in August 2001
to illustrate a story on the preservation of the trees in Angkor, and was
selected to run as a permanent slide show on their website. This year,
Archaeology Magazine published a six-page article and photo essay from his
Angkor series in the March/April issue, and Professional Photographer
Magazine published a profile of McDermott and his work on Angkor in its May
2002 issue.
McDermott has contributed images to several photographic books including
Southeast Asia-Passage Through Time, published by Ringier in 2001, and A Day
In The Life of Thailand, published by Collins in 1995. In the spring of 2000,
McDermott spent four months photographing museums across mainland Southeast
Asia to illustrate the book The Extraordinary Museums of Southeast Asia,
published in 2001 by Harry N. Abrams, Inc. For this project he photographed
28 museums in five countries, and over 200 of his photographs appear in this
book.
Before going to Asia, McDermott worked as a photographer and in related
fields in the US, including four years in the feature film industry in Hollywood
as a camera and lighting technician on more than fifteen feature films. He now
divides his time between Asia and the US.
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